![]() Creators can also tame unruly or clashing kick drums and boomy bass guitars without changing overall impact and go in-depth with surgical controls that shape tone and timbre, bringing out the best in the low end – with minimal artifacts – using this industry-first bass shaping tool. ![]() Using Ozone 9’s new processing designed to enhance bass sounds, this feature brings clarity to a users’ low end and gives a well-defined foundation for each track. Low End Focus is the first line of defense against a muddy or blurry low end in a mix. ![]() Weak-sounding drums can be corrected with one small boost that can save hours of EQ surgery. For example, users can add presence to vocals without affecting the midrange, or eliminate muddy low end by slightly lowering the bass guitar. Instrument levels can be corrected or changed without needing the original tracks. Master Rebalance gives Ozone 9 users the final say in a mix. Ozone 9’s Tonal Balance Control can now talk to more iZotope plug-ins in the session and plug-in performance is improved for faster work, smoother metering, and resizable windows, helping users get rid of any uncertainty on whether music is ready for release. With features such as its expanded Master Assistant, creators can deliver the exact vibe they are looking for – from warm analog character to transparent loudness for streaming. ![]() Ozone 9 brings balance to music with never-before seen processing for low end, new real-time instrument separation, and lightning-fast workflows powered by machine learning. IZotope Inc., Cambridge, MA (October 3, 2019) – iZotope, Inc., the experts in intelligent audio technology, today launch Ozone 9, building on a seventeen year legacy in audio mastering. IZotope Continues to Steer the Future of Mastering with the Release of Ozone 9 ![]()
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